Leeds Discovery Centre is where we store our 1.3 million objects when they aren’t on display.
On a recent search of the store, I spotted a small silvered glass mug with ‘Remember me’ etched on it. It sat unassuming, tucked mid-shelf behind more conspicuous glass and ceramic pieces. I laughed at its audacity and guessed at who or what had wished to be remembered so emphatically – and to whom? It seemed a pretty direct thing to ask of someone, at once implying both love and its feared inevitable loss. But I liked its nerve…
The Remember Me mug is a keepsake, a physical token of affection dating from c.1900, given so that the recipient would do just that, remember the donor. The silver glass effect, often referred to as mercury glass, is achieved by coating the inside of a mould-blown double walled glass structure with a silver substance (typically a silver nitrate base mixed with glucose) via a small cavity before being sealed. The mercury reference comes from the use of it in the production of mirrors or looking glasses which displayed a similar effect to that of the mirrored tableware.
This silvered glass technique was developed in the mid 19th century and was popular until the 1930s when production dropped off in response to a dwindling market. Trends in our material culture often repeat and silvered glass has become popular again in recent years with newer items being easy to identify by their single wall structure. Typically low-cost then and now, they were referred to as poor man’s silver, or in Germany as Bauernsilber (farmer or peasants silver).
Keepsakes and souvenirs took many forms from glassware, jewellery and perhaps most prolifically from the mid 19th century through to the late 1930’s, the W.H. Goss trade in miniature white glazed porcelain models (pianos, replica Greek and Roman urns, local landmarks, English cottages, busts of Kings and Queens) carrying the coat of arms of the places where they were sold as mementos.
Just like the glass mug, these objects were acquired for the memory and sentiment associated with them. Simon Knell in ‘The Intangibility of Things’ says that all objects are in fact two objects:
- the tangible object in our museum collections that we can see and hold and think is real but in fact has no real meaning but for that which we project on it
- the intangible object existing in our recollections, the product of our cultural interpretations, everything that we know based on what has gone before
Souvenirs in particular help illustrate this distinction. They are the embodiment of a memory that we really do wish to retain.
People aside, that little beaker seemed now the only remnant of the place or affection it once cupped. It called out a little to be remembered for just being itself, tangible and still hanging in there despite its material fragility amidst 1.3 million objects in an artefact store in Leeds. I wondered if it would regard a spot on a shelf of a museum store to be a good resting place when all was said and done? If that would qualify as being remembered? I hope it appreciates this blog.
By Pamela Crowe, Volunteer Tour Guide and Blogger at Leeds Discovery Centre
Leeds Discovery Centre store tours are free, at 11am and 2pm on Thursdays. There is no need to book.
If you’d like to visit Leeds Discovery Centre outside our normal store tour hours, please contact us on 0113 378 2100 or email firstname.lastname@example.org.